The Golden Globe nominations were released this morning, and many of the nominees are currently playing in Seattle theaters—or will be soon. We've rounded them all up below so you can catch up on all the films you have yet to see before the ceremony on January 7. Follow the links for showtimes, trailers, and ticket links.

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NOW PLAYING
Battle of the Sexes
Battle of the Sexes is about the real-life tennis match between Billie Jean King (Emma Stone) and Bobby Riggs (Steve Carrell). It was the most-watched sporting event of its time, and revisiting it now is like two tall glasses of red wine for our abused and blackened souls. Battle of the Sexes is directed by the same husband-and-wife team behind the chirpy Little Miss Sunshine, and you can tell—it’s got the same heart and levity that make you want to cry, not from laughing too hard but because life is sad. It's fun and suspenseful, and rounded out by a delightful supporting cast, including Sarah Silverman and Alan Cummings. Basically, watching a hardworking woman beat an entitled sexist prick on an international stage is glorious, and something I want on instant replay inside my eyelids so I can close my eyes and watch it instead of whatever's actually happening in 2017. ELINOR JONES
Crest (Shoreline)
(Nominated for: Best Actress in a Motion Picture - Musical or Comedy [Emma Stone] and Best Actor in a Motion Picture - Musical or Comedy [Steve Carell])

The Disaster Artist
Even if you have never seen The Room, Tommy Wiseau’s infamous masterpiece of shocking artistic poverty, there’s plenty to recommend James Franco’s re-creation of its conception and creation. Much like Tim Burton’s Ed Wood, this film makes the case that a complete lack of talent and vision are not necessarily bars to entry for a life in show business, as long as you have an unlikely friend, and the strangest accent since Martin Short in Father of the Bride. Littered with hilarious cameos from the likes of Seth Rogen, Megan Mullally, and Bryan Cranston, The Disaster Artist is funny, sweet, and strange, with a central performance by Franco that rises to the level of either high camp or high art. SEAN NELSON
Various locations
(Nominated for: Best Motion Picture - Musical or Comedy and Best Actor in a Motion Picture - Musical or Comedy [James Franco])

Dunkirk
From May 26 to June 4, 1940, the evacuation of Allied troops from the French port of Dunkirk and its surrounding beaches, known as Operation Dynamo, was a hugely important event in the history of World War II. After the war was over, the survivors of Dunkirk would almost all liken it to Hell. It was Hell on earth, a living Hell. The question is this: How do you present Hell on earth, Hell in the air, and Hell at sea on celluloid? For Christopher Nolan, much of the answer is do it in ultra-high-definition 70 mm IMAX film and show it in IMAX cinemas. Dunkirk is meant to be a nonstop 114 minutes of unalleviated spectacle, a massive collage of beautifully composed pictures, each one lasting for only a few seconds, of gunfire, flames, drowned corpses, exploding bombs, aerial dogfights with numerous plane crashes, and more, much more. Dunkirk shows a world full of terror, but Nolan goes to great lengths to ensure that his audience is never terrified. We sit in our seats munching popcorn and watch other people undergoing terrifying experiences. JONATHAN RABAN
Pacific Science Center, Alderwood Mall
(Nominated for: Best Motion Picture - Drama, Best Director [Christopher Nolan], and Best Original Score in a Motion Picture [Hans Zimmer])

The Florida Project
The real reason The Florida Project is a breakout success, and the reason everyone should see the film, is the rowdy, previously unknown seven-year-old actor Brooklynn Prince. Moonee, played by Prince, is a mischievous tyrant who spends her days terrorizing the Orlando hotel she calls home. Like director Sean Baker’s Tangerine, the characters in The Florida Project don’t want anyone’s pity. Prostitution, drugs, arson, assault—it all goes down in the Magic Castle, the purple hotel (or project) where Moonee lives. Prince—with considerable help from her costars, Baker, and screenwriter Chris Bergoch—resonates beyond the twee and cute. At the film’s climax, Prince delivers a performance that would make even the surliest curmudgeon cry. CHASE BURNS
AMC Seattle 10, Lynnwood Theatre
(Nominated for: Best Supporting Actor in a Motion Picture [Willem Dafoe])

Lady Bird
Lady Bird (Saoirse Ronan, never better) is a teenage girl striving to find a self she can live in while stranded in moribund, lower-middle-class Sacramento, "the Midwest of California." Her efforts begin with that name, which she bestowed upon herself—Christine was too normal—and loudly demands that everyone call her at all times. The crusade also manifests in the form of hair dye, petty crime, habitual lying, sexual experimentation with unworthy boys, and musical theater. Though Lady Bird will perform for anyone, the only audience she truly wants is her exasperated, judgmental, sharp-tongued mother, Marion (Laurie Metcalf, almost certainly the greatest living actress). It's an exquisitely observed portrait of a mother and daughter so intractably at war that they can't see how close they are until it's too late. SEAN NELSON
Various locations
(Nominated for: Best Motion Picture - Musical or Comedy, Best Actress in a Motion Picture - Musical or Comedy [Saoirse Ronan], Best Supporting Actress in a Motion Picture [Laurie Metcalf], and Best Screenplay in a Motion Picture [Greta Gerwig])

Loving Vincent
We’ve already had a few fine cinematic attempts to tell the story of the brilliant yet tortured Vincent van Gogh. The one element missing was the beautiful, slightly unsettling look of Van Gogh’s groundbreaking artwork. Loving Vincent, the latest from animators Hugh Welchman and Dorota Kobiela, is the first of these biopics to get it right. That’s because the entire film is composed of actual paintings: The international production employed more than 100 artists to paint each frame of the film on canvas, copying the thick brushstrokes and brash colors of Van Gogh’s most celebrated works. The rest of Loving Vincent doesn’t hit the same heights. Kobiela and Welchman’s script is a leaden, Citizen Kane-style attempt to investigate Van Gogh’s final days in France through the efforts of Armand (Douglas Booth), a young postman’s son attempting to deliver the artist’s final letter. It’s a well-meaning way to let us cross paths with many of the villagers whom Van Gogh painted, but it’s hampered by conspiracy theories and a lumbering pace. ROBERT HAM
Various locations
(Nominated for: Best Animated Film)

Roman J. Israel, Esq.
Let's begin by recalling Jake Gyllenhaal’s bulging eyes in Dan Gilroy’s excellent thriller Nightcrawler. They are the eyes of a man who almost entirely lives in his head. With those eyes in mind, let's turn to the star of a new film that's also directed Gilroy, Roman J. Israel, Esq. Denzel Washington—a black American actor who has handled his Hollywood career far more prudently and effectively than, say, Will Smith—plays Mr. Israel, a man who, like Gyllenhaal's character in Nightcrawler, lives deep inside of his head. But we see his extreme inwardness not in his eyes but manner of walk. Roman J. Israel is a lawyer who has a monstrous memory. He can recall with no effort all of the details of dead and forgotten cases; he also lives in his vivid dreams of a better and more just American society. He walks like his mind has no idea that it has a body. Each step Israel takes is as stupid and graceless as the one before it and the one to come. The film is not Washington’s best, but it, and that mindless/lumbering walk, will not disappoint Washington’s fans. CHARLES MUDEDE
Various locations
(Nominated for: Best Actor in a Motion Picture - Drama [Denzel Washington])

The Square
The Swedish director Ruben Östlund is a rising star in European cinema. And judging from the buzz about his latest film, The Square, it is only a matter of time before he conquers the United States. At the center of the film is Christian (Claes Bang), the head curator of X-Royal, a huge and powerful modern art museum in Stockholm. One day, three con artists on a city street lure Christian into a clever trap and mug him. He loses his wallet and slick smartphone. Back at the office, and still in a state of shock from what happened to him in broad daylight, he locates his smartphone on the web. It is in a place that we in the US would call the projects. Encouraged by a friend, he decides to take matters into his own hands and does something that changes his life.Before the act, the art was just about names, money, and academic concepts concerning the human condition in a world that has no alternative to neoliberal capitalism. After the act, the art is directly about his life, clothes, car, job, relationships, and city. The art asks: Why is there so much poverty in a rich city? Why is it so easy to ignore beggars? Why is wealth so unfairly distributed? And if it were fairly distributed, would crime vanish? What kind of animal is the human? CHARLES MUDEDE
Varsity Theatre
(Nominated for: Best Motion Picture - Foreign Language)

Three Billboards Outside Ebbing, Missouri
One way you know a film is written by a playwright is when everything everyone says in it is clever and wise and perfect. Three Billboards Outside Ebbing, Missouri, written and directed by Martin McDonagh, never fails on this score. The dialogue, particularly when given life by actors Frances McDormand and Sam Rockwell, is hilarious and provocative. But the biggest indicator that you're watching the work of a playwright is the sense that there's no way the story is what the film is really about. The three billboards in Three Billboards are signifiers and catalysts, but they're also red herrings (literally red, in fact). The billboards are taken out by Mildred (McDormand) as a way to publicly shame Ebbing's police chief (Woody Harrelson) for having failed to catch the man who raped and murdered her daughter. They also keep her grief alive and present tense. McDonagh depicts graphic violence and hateful language flippantly, in a style people like to call Tarantinoesque. But McDonagh is not a shock artist, not satisfied milking the disjunction of liking the bad cop or the mean lady. He's making the case that humans are complex, that "sympathetic" is relative, and that whatever horrible things people are capable of doing to each other (and they are indeed horrible), we still have to live together when we're done. SEAN NELSON
Various locations
(Nominated for: Best Motion Picture - Drama, Best Actress in a Motion Picture - Drama [Frances McDormand], Best Director [Martin McDonagh], Best Supporting Actor in a Motion Picture [Sam Rockwell], Best Original Score in a Motion Picture [Carter Burwell], and Best Screenplay in a Motion Picture [Martin McDonagh])

Victoria & Abdul
Abdul Karim arrives from India to participate in Queen Victoria's golden jubilee. The young clerk is surprised to find favor with the queen herself. As Victoria questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance that her household and inner circle try to destroy. As their friendship deepens, the queen begins to see a changing world through new eyes, joyfully reclaiming her humanity.
Crest (Shoreline)
(Nominated for: Best Actress in a Motion Picture - Musical or Comedy [Judi Dench])

OPENING DEC 14
The Shape of Water
Sally Hawkins plays a mute cleaner in a government facility who stumbles on an imprisoned aquatic creature in the lab. A friendship grows between the “monster” and the woman, but both find themselves endangered by the ambitions of a heartless FBI agent (Michael Shannon), who sees only the swamp monster’s potential as a weapon. If director Guillermo del Toro keeps up his streak of delivering enchanting fantasies with anti-authoritarian themes, we expect great things.
SIFF Cinema Egyptian
(Nominated for: Best Motion Picture - Drama, Best Performance by an Actress in a Motion Picture - Drama [Sally Hawkins], Best Supporting Actress in a Motion Picture [Octavia Spencer], Best Supporting Actor in a Motion Picture [Richard Jenkins], Best Original Score in a Motion Picture [Alexandre Desplat], Best Director [Guillermo del Toro], Best Screenplay [Guillermo del Toro and Vanessa Taylor])

OPENING DEC 20
The Greatest Showman
Hugh Jackman stars as the notorious circus showman P.T. Barnum, with support by Michelle Williams, Rebecca Ferguson, and Zendaya.
Various locations
(Nominated for: Best Motion Picture - Musical or Comedy, Best Actor in a Motion Picture - Musical or Comedy [Hugh Jackman], Best Original Song ["This Is Me"])

OPENING DEC 21
Downsizing
An occupational therapist (Matt Damon) and his wife (Kristen Wiig) fight global warming and shrinking resources by shrinking down to four inches tall in Alexander Payne’s new absurdist comedy, in a rather different vein from his acclaimed works The Descendants and Sideways.
Various locations
(Nominated for: Best Supporting Actress in a Motion Picture [Hong Chau])

OPENING DEC 25
Molly's Game
It does not matter that this film is based on a real story. Reality sucks if it is not fucked with, which will certainly be the case in this crime drama about a woman (Jessica Chastain) who was a world-class ice skater and also happened to run a world-class underground poker joint. The Russians were in on the action just like the 2016 election. The FBI bust her shit up. What did she do wrong? Girls just want to have fun. The over-acclaimed screenwriter Aaron Sorkin decided that this would be the first film he directed. Expect to enjoy parts this film that are devoted to crime, and expect to be bored by the parts devoted to redemption.
Various locations
(Nominated for: Best Performance by an Actress in a Motion Picture - Drama [Jessica Chastain] and Best Screenplay in a Motion Picture [Aaron Sorkin])